![]() Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. ![]() were kept as close as possible to the original part to preserve the stock 'tone'. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect. Features Fender Bandmaster and Bandmaster Reverb, 40 Watts Physically, parts were designed to look similar to original factory units (where possible). ![]() 1 Some early models had both a microphone input and instrument inputs. It was introduced in 1953 and discontinued in 1974. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. The Fender Bandmaster was a musical instrument amplifier made by Fender. Once driven into compression the tone is similar to a brownface if you back off the treble and refrain from using the bright switch. Using an open-back cab with multiple 10's or 12's yields more bite and more perceived volume. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Amp: CFA7100 Bandmaster Reverb Amp: AA768, AA1069 AA270 Vibroverb: AA763 AB763 Replacement for 68 Custom Pro Reverb Reissue Fender PN: 125P5D, 022798. With a bass-reflex cab the Bandmaster is pretty clean and linear, with a solid bottom end. The main differences between these amps are transformer size, filter caps size and output/speaker impedance. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. The silverface Bandmaster Reverb is a typical ab763 amp and shares basic circuit design with the Super Reverb, Deluxe Reverb, Twin Reverb, Vibrolux Reverb, Pro Reverb and Twin Reverb. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
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